Farooqi 'dive': how much achievement

This was the first time that Bengali movies were learned to make stories with cameras. The language of the movie is called it.

Someone will remember, two pictures of 'Holidays' and 'Clay houses' were in the decade of the last century. We can identify them as a tragedy. The 'tragedy', as the 'tragedy' moves from the beginning to the right direction, the picture did not move like that. Rather, a hilarious movie gets a tragedy in the middle or climax. The 'dive' in that sense is perhaps the first picture of Bangladesh, which can be given full status to the tragedy. From the beginning, whose outcome is destined. We know the end. In tragedy formulas, Humayun also sources Dare to talk such an inevitable narrative. Either you will be the slave of the destiny, or Humayun's biographer. Both of you will fail you One of the toughest challenges in the industry to sign on such a situation as an artist. Mostafa Sarwar Farooqi, who made her far behind in the film 'Dub'. In my opinion, it is also his best movie, hundreds of limitations
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How did 'dub' Sarwar become the best work of Farooqi? Because, this movie has set several milestones in Bangla film. I told one of them earlier. We are very popular about the language of the movie. What is that? Available in Bangladesh? It had been the answer for a long time, no. There is a try, but that's the level of Neighat Amateur. There are visibility, but it has not become a rival of dialogue or description. The scene is vandalized, but the stain marks can be seen. Even in Farooqi's picturesque pictures. As a good man, it started thinking of the form of Bangladeshi film. Bangladesh's film is not much more than a visual novel, this regret was very much in mind.

But 'dive' gave me a lot of freedom. This was the first time that Bengali movies were learned to make stories with cameras. The language of the movie is called it. Want proof, see, can you write up to half a dozen 'dub' films in print? It is not because of the clichés that can not be written or if it is written that 'dub' non-linear There is no such story in non-linear or non-linear novels. Cinema They can be written. They are certainly good pictures too. Good pictures are different. But there are cinematographics, not the character, but the camera speaks, its own grammar of visibility, where is such a movie? Some of the tries have been in several pictures, but a complete and accomplished manifests were found in 'Dub' movie. This is the first in Bangladesh.

Does that mean that 'dive' is a complete perfect cine-experience? Viewer? Probably not Farooqi's picture is not without a 'Television'. That is why Farooqi's visitors pay 'Television' very high and for this same reason 'Television' is my non-choice. Innocent, immature art is my favorite choice. Because, the more artists will take the risk, the more away from the industrial performance. Farooqi has not taken any risks in 'Television'. In 'Bachelor' and 'Ants'. And the most remembered is to 'dub' Most artists do not want to take risks when they get success.

Because, at that time, a certain table stood for the artist in the heart of the audience. So, the easy addiction should be comfortable, or if the audience gets hungry! For those artists and writers stuck in the scandal, Jay wrote a little lesson to know. The text was the occasion of circus bookmakers. Jean told him, 'What is the viewer's crime, you know? When you show your most important game, he is closing his eyes! '

There is a lot about 'dive' and it will happen. This is because Farooqi, as well as Humayun Ahmed Rather, Humayun Ahmed is the biggest occasion to talk about. It is difficult for Bangladesh's viewers to see this photo, due to the separation of Humayun-narrations for a variety of reasons. Feel the fact that Farooqi has created the background. Due to the fact that the 'dive' is being introduced abroad, it is not as good as in Bangladesh. If you put such a strong character like Humayun, it seems to be the letterhead! Any house on the hill becomes the children's house. Humayun-Pathak or Humayun-kuchat is a big part of the viewer of 'Dub'. So, it is really difficult to give Humayun a neutral 'dive' for them. That was the fate. In the sense of 'dive' such tragedy as story, Humayun's almost absent presence in the taste of 'dub' Another tragedy for Farooqi Tragedy groups come together.

It is possible to find various topics such as criticism in this film. Take this action for the average critic. Cretisism-saline with a pitch compliment and blasphemous! In the case of Irfan's Bangla ear, Faruqi was very patriarchal in the case of Nitu, the film was too big a sub-centric, premiered in Kolkata, how important it was to go to Bandarban, Javed Hasan could have become a creditable filmmaker in the film, as the first half of the picture was drawn in the last half of the way. Various types of observations have come up in social discussions. Some of them have been criticized for criticism, some have been presented in condemnation. But in reality these expectations. Someone might need them to be present in the form of anonymity. But I do not see her need. It is very important to appreciate this picture. First, for his enchanting cinematography; In particular, for creating the smallest dramatic Moment, the road that Farooqi has shown for moving the picture. Second, to present a full tragedy for the first time in Bangladesh's film